Because each new generation of writers is in competition with all others, living or dead, for inclusion in the halls of worldly memory, each artist must develop ways of strategically, even unconsciously, “misreading” the work of the precursor. So T.S. Eliot’s poetry becomes a struggle with Alfred Lord Tennyson and, more covertly, Walt Whitman. Whitman himself is always tussling with Ralph Waldo Emerson and the poetry of the King James Bible. William Wordsworth has to fend off the over-influence of John Milton and Shakespeare to achieve a comparable Romantic success. The young Shakespeare himself engages in a brief agon with his contemporary Christopher Marlowe, before becoming one of the few writers in the Bloomian cosmology to rise out of the field of influence entirely. Shakespeare, according to Bloom’s appraisal, owes nothing to anybody. In fact, all of us now owe most of ourselves to Shakespeare—so much so that any academic or critical attempts to destabilize the Bard’s preeminence only prove how embarrassing the debt has become. As the history of the written word goes on, the burden of influence accumulates, until finally young writers feel such a pang at their own belatedness, they wonder whether they’ll ever be able to add a single thing to their scandalously rich inheritance.
如果你的护城河只是一个图形界面，那你终将归零。。关于这个话题，新收录的资料提供了深入分析
比如围辣小火锅，超80%门店布局于三四线及以下城市，“一二线房租和人力太高，仅靠堂食很难保障回本。”张萧直言。。新收录的资料对此有专业解读
Example: render control byte 03 as "^C"。新收录的资料对此有专业解读