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In the 16th century, Chinese and Dutch musicians independently came up with an alternative system to harmonics-based tuning, called 12-tone equal temperament, or 12-TET. It’s the system that the entire Western world uses today. The idea behind 12-TET is to have everything be pretty much in tune, which you accomplish by having everything be a little bit out of tune. Is this a worthwhile compromise? Let’s do the math and find out.
Will the volume now undertake a return journey to Dudley?